Emerging Artist Award 2021
Imitating art
Imitating art
55.5 x 40.5 cm
Oil on Canvas
This is a reflection on galleries as august places where we are apparently supposed to go to view art. Observers behave differently in such places, the figures at the back seem to embody this difference - either contorting themselves to see things better or rushing past at great speed and hardly stopping to take it in. Yet galleries have a life unseen by most, embodied by the central figure perhaps a cleaner mopping the marble floors and quite unaffected by the fine art on view behind her.
Martin Davis
Painting is a kind of ecstasy to me; an intense & personal struggle to bring to life on canvas a private world of accumulated memory & images. It is often quite exhausting, but cathartic at one and the same time. It calms my soul.
The drive to create work is my emotional response to colour, my love of form and to the effects on both of light & atmosphere. Specific subject matter is less important so my work can be quite diverse and wide ranging. But at the heart of what I do, like a thread running through all my artwork, is a fascination with the essence and idea of boundaries in visual imagery - and how they divide and define the shapes and forms in the world that we see.
The inspiration for specific paintings often arise from images (and even words and phrases, or poetry) in current affairs and the world around me. This is especially so if they strike a chord with my own past or trigger distant personal memories.
I try to use my sense of colour and love of form to raise the spirits. One of my abiding hopes is that, like music, art can serve to engender a greater sense of wellbeing - in observer and creator alike. I believe that at its best it can be a simple, joyful experience as well as a vehicle for asking more fundamental questions about human experience.